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Sep. 3rd, 2009

blue bra

Schedule Update

I will be working Friday & Saturday this week.

Friday on dayshift at Palazio, as usual. As for Saturday, I'm going to try a nightshift but not sure where yet.

Sidenote: Yesterday after icing my back a little longer and with a bigger icepack than usual, I was actually pain free from 5pm to 2am. From 2am to 6am the pain was milder than usual, and then this morning I had the best yoga class I've had in a long while. I'm afraid to get too excited, but I did want to share that the past 18 hours have been pretty good.

I also finished Act I of my new script yesterday and personally I think it rocks. So yay for me! :)

Aug. 30th, 2009

kick

Sluggo Strikes Out

Strip club customers fall into a few categories. Most take a seat on the main floor as part of the general audience to watch the stage or chat with girls and buy dances. Barflies are usually less inclined to buy dances but are at least somewhat approachable if you don’t mind standing next to their barstool the whole time. They’re usually friendly and chatty and on a rare occasion sometimes even buy a dance or dismount their perch to tip you on stage. At the very least they can offer a distraction from the tedium of a slow shift.

Sluggo is what I call a Roamer – a regular customer who won’t just take a seat and stay put. The Roamer is always on the move, strolling purposefully from the bar to the DJ booth to a corner table to holding up a wall in the shadows to the poker table to the waitress station etc. Maybe he’s trying to make himself look important, like he works there (wow, impressive) or to distinguish himself from the seated masses (why, I dunno). Maybe he has some weird strain of adult ADHD and literally can’t sit still or perhaps it’s some mutated canine-type genetic urge to mark every corner of the room… whatever. It hardly matters because Roamers don’t buy dances so I avoid them.

Guys like Sluggo just get in the way, blocking the entrance to the DJ booth when it’s time to select your stage music or cornering you with a barrage of invitations to come out on “the boat” where, supposedly, all the other dancers always “have a great time” by going topless for his friends (for free) and drinking cheap beer all afternoon (wow, thrills) because apparently nowhere else in Austin will I find a body of water in which to swim that’s nearly as fun as being stuck in the middle of the lake, ogled and drooled on by strangers (for FREE) on a decrepit, floating clunker (the one all the girls make fun of in the dressing room).

Sluggo looks like a typical, overgrown schoolyard bully, with a puffy, red face atop a soft, middle-aged body stuffed into a too-tight hipster shirt. All last year at Exposé he’d do the same 2 things to me. The first is, if he saw me on stage he’d approach with one dollar which he wouldn’t hand over until I did an extra special mini-dance for him.

Now, I appreciate tips, even $1 tips. What I don’t appreciate is a customer who does not ever buy lap dances (incidentally, the means by which dancers earn a living) yet insists on getting his jollies by coming to the stage twice during my set, interrupting my performance with a measly $1 bill and the expectation of sticking his greasy face between my breasts. See, if you have $2 to spend on stage tips for one girl and you don’t spend them both at once you’re obviously just using her for some cheap, easy thrills. Which is what Sluggo did every time he came in – spend about $10 on 5 girls, basically copping 10 cheap feels and never once buying a dance from anyone, ever.

Stage tips are to
1. show appreciation for the dancer’s performance
2. stimulate audience participation
3. alert the dancer you’d like her company at your table.
The stage is for us to market ourselves. And since it eats up a lot of time and energy it’s marketing we are, in a way, paying for, in order to advertise ourselves to potential paying customers, REAL customers who will buy lap dances (you know, those things dancers sell in an attempt to earn a living). What the stage is not is your personal $1 boob-kissing booth.

The 2nd thing Sluggo always tried to get off me for free was Real Estate advice, specifically on the downtown Austin condo market which he can’t afford and is hoping will “crash” so he can swoop in and essentially steal one from a desperate developer thereby finally achieving a sense of credibility and validation by living among higher-income hipsters. Because no one else in this town has come up with that idea yet. Yeah.

I like (and excel at) talking Real Estate as much as I like (and excel at) prancing around in lingerie, which is to say a lot. I also happen to be a professional at both, which is to say that after enticing a potential customer with a free sample of either Real Estate market info or my lingerie clad body, if he wants more I justifiably expect to get paid for it. Which is why I learned to always avoid Sluggo at Exposé, assuming I’d be free of him altogether once I quit. Sadly, not so, as I’ve spotting him roaming the floor and annoying everyone at Palazio for at least three weeks in a row. Last week he caught up with me.
Sluggo: Hey c’mere (grabs my wrist and pulls me to him). Gimme some love (points to his own greasy cheek, indicating his entitled demand for a kiss)

Casey: I’m on my way to the ladies room actually, and I also have a customer waiting for me…

Sluggo: (insistent) C’mon, just gimme some love! (points clownishly to his puffy, greasy, disgusting cheek again)

Casey: Um, no. I am not a child, or a dog. I’m a stripper. And you’re a customer who has not ever bought one single dance from me, ever.

Sluggo: (frustrated, like a spastic toddler at Toys R Us) I just want some love! (points comically, yet again, to his clownish face covered in day old sebum, bacteria and layer upon layer of dead skin because “exfoliation” is not in his woefully meager vocabulary)

Casey: (finally yanking free and angrily towering over him) You want some love??? Dude, I’m WORKING here – you GET that, right? I’m here to make money. So we all want something, don’t we. (rolls eyes at his pitifully shocked, greasy face and walks off to sanitize wrist).
Yesterday I approached a customer who politely told me that he never bought dances but would tip me on stage. And he did, exactly $1 on my 2nd song and another $1 on my 3rd song.

For his first tip I gave him my typical (great) mini-dance. The second time though I didn’t give quite as much, opting not to press his face to my breasts again even though I could tell he was waiting for it, anticipating it, preparing for it by lifting his chin, dropping his eyelids and leaning forward just a bit (they all do that, it’s a Pavlovian thing). Meanwhile I just sat there holding out my thong strap for his dollar as the realization hit him that he wasn’t gettin’ any, watching the look on his face go from dumbstruck to frustrated to actually a little pissed off (oh my god, fucking deal with it, dude). I guess because, apparently, I’m supposed to let countless strange men bury their greasy faces in my clean, soft bosom all day long for ONE dollar each without any hope of parlaying it into an actual lap dance (you know, that thing we dancers do in order to earn a living).

Listen, I know I sound angry again, and I was at the time, for about 30 seconds (then I got over it and went back to work). It’s just that my sweet, smart, generous customers aren’t as much fun to blog about as the ridiculous comic strip characters. I will however attempt to balance these kinds of stories with some warm fuzzy anecdotes in the near future. Till then please don’t just assume I’m burned-out or that I’m a bitch. I’m not. I’m an exceptional stripper working in a saturated market in a misogynist environment in a severe and devastating recession.

I’m also a writer and drama is conflict. Besides, are you really shocked that strippers aren’t actually having as much fun as we’ve been successfully making you think all these years? [Here's a tip for you then: That’s part of the carefully constructed illusion we’ve created as part of our ongoing attempt to EARN A LIVING.] Though if you want to believe all that shit, great, come see me at Palazio this Friday and I’ll sell it to you all day long. But if you’re reading my blog in a feeble attempt to cop a cheap feel of my soft, tender, sexy side, stick your dollar back in your pocket and go home.

This is my stage, my performance. You can watch quietly from the audience or come out of the shadows to tip me with your fabulous comments but if all you have is one buck’s worth of complaints or opinions about how much joy I should be spreading around, seriously go read Julie and Julia or some other bland blog. I may not be all marzipan and cheesecake but I’m real. Deal.

Aug. 26th, 2009

red bra torso

Schedule Change

I will not be at Perfect 10 this Thursday, Aug. 27. Instead, this week I'm working both Friday & Saturday at Palazio, dayshift as always.

I'm temporarily playing around with my schedule somewhat, partly to avoid smokers as well as ridiculously long commute times in ridiculously bad Austin traffic.

My usual *Friday at Palazio* has NOT changed and probably won't. As for my other work day(s) I'll keep everyone posted here on my blog as to where and when I'll land. I'll know more this weekend.

Aug. 21st, 2009

bed bracelet

Gratitude List

1. Sixty days of 100+ degree temps so far this summer and the A/C in my car works really, really well.

2. Randy, for handing me $20 at 11:30 this morning "just for being here," less than 2 minutes after I exited the dressing room and before I’d had time to even start worrying about how slow it might be today.

3. J.J., for starting off my every Friday in the best way possible.

4. Randy, for handing me another $20, for no apparent reason.

5. David, for liking my blog enough to go out of his way to meet me and then reluctantly engage in the most erotic conversation I had all day (hope ya made it home in one piece, sweetie…heh).

6. Steve, for buying me off my last stage set, PAYING me to dance to Robert Randolf (seriously?), and having the largest “Polo” insignia EVER (strangely hot, who knew?).

7. Tony, my badass DJ, for playing Neil Diamond without making (too much) fun of me for dancing to it and also saying “it’s an honor” to work with me.

8. Mr. Jones for coming to see me on his not-most-convenient day of the week, engaging in the most theraputic conversation I had all day, and looking so good in them blue jeans.

9. Sweet man in glasses who paid me the cost of 2 dances, just to rub his shoulders, and then quietly tipped me $8 on stage when I wasn’t looking.

10. All my readers who readily support me even when I rant somewhat abrasively.

Aug. 19th, 2009

cerberus

Get a Clue

I can’t believe it’s come to this but so be it. Between my torturous back pain and spastic fire alarm, both going off at 4-fucking-a.m., my tolerance has plummeted to zero and maybe that’s for the best. Maybe it’s the spark I need to burn a few dilapidated bridges once and for all, because quite frankly you guys, this shit has got to stop.

Listen up fuckers, this time I’m talking to YOU. No more text messages, desperately reaching out to me from the ether because your significant other or lack-thereof isn’t THERE for you. We’ll guess what? Unless you bought me a house, pay my living expenses or plan to set me up for the rest of my life – I’M NOT THERE FOR YOU EITHER. You want my attention, you PAY for it.

No more emails. I don’t care if your favorite stripper, girlfriend or wife isn’t giving you the attention you need or that relationship has become routine or just a pitiful matter of convenience. When I said I didn’t have time to correspond with you, I meant I don’t have the time, energy, inclination or interest in READING emails any more than writing them.

No more phone calls. I don’t care if your Ukrainian escorts have become too clingy and if you didn’t expect them to try to marry you. If that’s the case you never knew how to play the game in the first place and since you’re not paying ME $1,000 an hour, I don’t have to waste my time explaining it to you. MY TIME costs money too. When I’m getting nothing from the friendship anymore but a drain on my own energy, pouring out constant understanding, nurturing, support and ego-stroking to YOU, the only thing that distinguishes our “friendship” from all my other customer/stripper relationships is that I’M NOT BEING PAID.

I am done being everyone’s unpaid therapist. I'm almost 42 years old and am desperately (read DESPERATELY GODDAMMIT) trying to figure out a plan to support myself for the next 40-50 years. With no college degree, few skills, near constant back pain and a fucking recession that's all but starving thousands of better writers than me, my options are limited to say the least. Meanwhile, and for much too long, I’ve let my natural instinct to nurture others override my instinct for self-preservation and success. My time is so much more valuable than you seem to want to realize or care about, even if you could get your heads out of your selfish, self-centered, self-seeking asses.

Next time you're feeling lonely, insecure, bored, or unfulfilled and get the overwhelming urge to contact me so I can fill some hole in your life, ask yourself exactly what you think I'm getting out of it. Ask yourself what you're really contributing to my life and when you come up empty know it's because all you've been doing is taking advantage of my compassionate nature and giving me nothing in return but more stress.

Oh, and hey you, ex-boyfriend? Since you bore me to tears when you’re sober, maybe you should consider exactly how ridiculous you look when you call me stoned and/or drunk. You go right ahead and try it one more time though… seriously, because this one I will enjoy, this one I will be more than happy to tell you in person, you pathetic, tiresome excuse for a man.

The rest of you, and yeah, I AM talking to YOU, get a clue. Leave me alone or PAY me for my time. If I haven't been contacting you it's because I'm not interested in connecting with you and I just don’t know how much simpler I can explain that. But if you continue to text, email, or phone, trust me, I’ll find a way to make it so goddamn clear you’ll wish you never met me.

Aug. 15th, 2009

red bra torso

Hazards of the Occupation

Okay, so it's not law enforcement, cage fighting or coal mining. I actually have it pretty good and in fact most all my injuries probably could've been avoided with minimal effort. Second-hand smoke, sore knees and societal stigma notwithstanding, my job is probably safer than most. We have no health plan or sick days of course, but Palazio does keep a stash of bandaids for emergencies (with little cartoon characters on them which just makes SO much damn sense considering their dancers' flesh-colored flesh, but whatever, it's something).

Broken Hearts (or Broken Bling, though the former has more *drama*): when you stupidly toss thongs with glued-on *bling* into the washer after work.




Broken Skin: when you body-slide down a customer who has scratchy stuff on his pants (no idea... a pocket zipper maybe?).




Broken Disc (actually just "degenerated" but I'm working on a theme here): when you've been exotic dancing for 13 years but didn't bother taking care of your spine by practicing yoga until the last 2.




As an update I should mention that after one visit with my old chiropractor extraordinaire, Dr. Bob Meyer, I'm already feeling a marked decrease in the degree & frequency of pain (next visit is Monday so here's hoping the trend continues and also thanks for all the concern & well wishes of the past 10+ months).

This is what my back looks like in person (check the mirror's reflection) lest the x-ray cause disturbing mental images inconsistent with the uber-vixen stripper-thing I got going...

Aug. 12th, 2009

Vegas tub

Time Management

I just went to check my mail. This is not big news. I’m pretty sure I didn’t have to tell you that.

I walk 100 yards or so to my mailbox every 5 days. Sometimes 4, sometimes 6, but usually 5 and mostly because I really can’t be bothered on Thursdays (I’d explain why but it’s complicated, and also boring). This brief, semi-daily task is no great feat or major event and except for one day 4 years ago when I opened the acceptance letter for my first piece of published writing (3rd place in a literary magazine’s poetry contest) I don’t get too excited about it. That one time in 2005 I did squeal with joy, the other 24 years (since leaving home), not once.

Anyway, the reason I’m going on about my mailbox habits is because there was a time in my life, the last 6-8 months of my drinking, when I wasn’t actually able to do it – check my mail, I mean. I was literally too trashed to walk 100 yards most of the time and if I wasn't, I was quite busy attempting to GET that trashed as fast as humanly possible. Mail was a distraction, plus it usually contained bills that said mean & nasty things like "Last Notice" or "Citibank." Even after 12+ years’ sobriety I still flash back on those dark, correspondence-less days, as I make my short, pleasant, early evening trek to the mailbox. I like to check mail after I’m done writing for the day and have watched the news and a little TMZ (that mindless celebrity crap helps defrag my writing-brain, plus I have a tiny crush on Harvey Levin if you must know which is a topic for a whole other post I plan to never write, partly because I wonder if my attraction to Jewish men is oddly racist somehow… but, I digress).

So, back in 1997 I managed to collect my mail, at the Towers at Tropicana Apartments in Las Vegas, about once a week, sometimes twice. I actually considered twice to be “doing quite well.” I suspect my mailman did not. Anyway I’m striving for a shorter post than my all-too-frequent 1,500 words so I won’t go into any more gory details of my 1995 Sutter Home Suicide plan. I’ve covered it plenty in past posts and someone else already wrote and filmed Leaving Las Vegas (dammit) which is a pretty good approximation of those 2 years of my life so, ‘nuff said. It’s just, I think about the mailbox thing a lot, like as a marker, of sorts.

Soon after getting sober I’d started to manage simple tasks like regularly collecting mail and taking the trash all the way out to the dumpster instead of leaving it outside my front door for 3 days until it walked there on its own. Feeling especially adventurous one day I reached into my closet, removed my favorite worn out sandals, and drove one mile to a repair shop where I handed over shoes, name, and phone number. In return I got a little cardboard claim ticket and a cheerful “Thanks!” It’s hard to explain what a huge event this was to me but driving home I felt this massive adrenaline rush and sense of elation so profound I was tempted to call my dad just to share the big news.

“Hey Dad, guess what? I accomplished something!” I can’t remember if I did, in fact, call him, but I do remember debating whether this would actually scare him more than please him, so I tend to think I didn’t. I knew it was silly, a little pitiful even. But I didn’t care. I had come so close to dying just a week before that a little thing like a cardboard claim receipt was equivalent to a winning Lotto ticket to me. Little did I know how much bigger life’s challenges would get but that’s probably why people in recovery always tell you, “One day at a time.” If they said, “Heal your severely damaged glandular system, internal organs, and emotional issues and then become a successful screenwriter,” well, I’m pretty sure I’d have gone right back to drinking myself to death immediately.

Still, I think I’ve done alright, so far. I’ve accomplished a little something, I’d say (weak adrenals and commitment phobia notwithstanding). And yet I am nowhere near where I plan to be in the coming years. I know how to get there and I know I’ve got the chops so it’s really only a matter of time. However, time can be rather weighty matter.

I’ve just started my next script. It’s going REALLY well. My characters are talking to me, in my sleep, in yoga class, in the shower… you get the picture. The story has taken on a life of its own and right now my job seems to be to block out all distractions and take some serious dictation. This process is my top priority (also my 2nd, 3rd, 4th, 5th, and 6th priority but, you get the picture). Earning a living comes next, my yoga practice right behind that. Sleeping makes the list and I suppose eating… sure, why not. But that’s about it. And I’m happy with that. Very content to live this way until my script is done, hopefully in time to to pitch around the Austin Film Festival Conference in Oct.

Which is why socializing has fallen from its usual spot of #19 on my list of priorities to somewhere around #857, right after cleaning the oven I haven’t used in a year. I’ve just managed to free up about 3 hours a week by eliminating casual emails to/from most of my friends & customers, about half of whom seemed to have an issue with my decision which is just totally fucking baffling to me because I tend to let everyone I know do or not do whatever the fuck they want or don’t want, but that’s just me… (again, I digress)

It’s not personal. You’ll live. And if you really MUST know what I’m up to either visit me at the club or read my weekly blog posts. Those are a priority to me too. Because, you see, I’m a writer. And writers write. We also check the mail and get our shoes repaired (by the way, Golden Slipper on S. 1st St. rocks) and do a million other tedious tasks that all need doing more than the entertaining of friends and customers who, apparently, have a little too much time on their hands.* I will surface again at some point, of course, for a couple weeks before starting my 3rd script and then again before my 4th – because those characters have started whispering to me already too. So, most of the socializing I plan to do, until I’m solidly established in this new career, will be with those guys. And, as soon as I receive my first check as a working screenwriter, the rest of the world will likely hear me squealing from my mailbox.

*Most of you don't fall in this category - just breathe, seriously - I'm probably not talking about you. :)

Aug. 8th, 2009

Okay

Core Principles

Earlier this week one of my Bikram yoga instructors complimented my Dandayamana – JanuShirasana. It is actually one of my best poses, I guess because 2 years of practice has taught me how to get proper form and endurance by engaging my core. Now if I could just remember that principle as it pertains to every other area of my life...

Dandayamana – JanuShirasana is our 5th posture (in a series of 26), coming directly after 2 other poses which seriously tax your legs muscles. The 105 degree room plus 50 – 80% humidity definitely increases flexibility but also lends a cardiovascular challenge so once you throw some serious back pain into the mix the odds of reaching the 4th & final phase of this posture are slim. Most students don’t even attempt it but for the past year I’ve been getting there about half the time, always by engaging my core strength.

I suck in my belly like Scarlett O’hara’s corset scene and then squeeze my ass like I’m crushing a Coors Light can (why Coors Light, I dunno, just used to like it although I suppose a Tecate can would work just as well but whatever – if you’re playing along at home feel free to use your imagination, make it personal, have fun with it!). The point is that engaging my core makes the posture easier and the final phase more stable. Then all that’s left is to come out of the posture one phase at a time without falling over and this means digging even deeper into my core – to my very belief system. In order to keep my balance all I have to do is believe I can by reminding myself how many times I’ve already succeeded in the past. The power in overcoming self-doubt makes anything possible, it can even reduce a Coors Light can to a flimsy piece of chewing gum foil (um, but if you ARE playing along at home, may I suggest you just take my word on that bit…okay, great).

Engaging core strength has improved half my poses including Ardha Chandrasana, Garurasana, Trikanasana, the entire spine strengthening series, the sit up and Ustrasana. Without it class is just a hot, sweaty exercise in frustration and exhaustion, no fun whatsoever and probably even dangerous for someone with 20 years of back problems. Maybe that’s what caused my most recent *wrenching* 10 months ago… maybe I wasn’t engaging my core strength back then and inadvertently put too much stress on a delicate area of my spine. In fact, maybe I haven’t been engaging my core strength enough my entire life and that’s why it’s taken me 25 years since high school graduation to find the strength to pursue my career goals.

In Dandayamana – JanuShirasana you must keep your weight evenly distributed on one foot, with your knee completely locked, before you’re even allowed to kick out at which point you have to level out your hips, lock your other knee and extend your foot backward toward your face, all without losing your (very sweaty) grip. Only then are you allowed to bend your elbows and long before you even think about tucking your head to your knee. I feel like my 9 years as a realtor were akin to those first 3 phases of Dandayamana – JanuShirasana because early in that career I was always so terrified of failing my clients I never felt any inner strength or stability in what I was doing. At that time my only previous work experience was stripping and there’s really almost no accountability there. Not only have I always been supremely confident as a dancer but I only ever had to be accountable for 3.5 minutes at a time as opposed to months at a time for a realtor representing real estate-savvy clients I usually assumed were much smarter and more successful than me.

Within a few years though I’d learned enough about the business to not only enjoy being an advocate for my clients but I thrived on it – switching from a listing agent to buyer’s agent just so I could work with the people I felt needed representation the most. I became a true market expert, tireless advocate, tough negotiator and compassionate therapist all rolled into one and by rising to those challenges I finally began to build some desperately needed core strengths such as self-confidence, tenacity, discipline and discernment – qualities no successful screenwriter should be without.

Lately I’ve been reading countless articles on the demise of this very profession and I think I’ve let it stir up some anxiety in my otherwise optimistic outlook. Then yesterday my back pain was once again in full force so that after barely making it to work I spent the first 4 hours navigating my way around various stages and laps as carefully as I could with another plastered smile masking not only the intense pain but also my growing fears about being forced into an early retirement long before I have any other viable options. Not to mention being suddenly terrified that screenwriting is in fact NOT at all viable (too bad the can-crushing industry went all high-tech… *sigh*).

Then something odd happened – around mid-shift the pain let up significantly, right after doing 3 dances in a row for this amazingly cheerful new customer who kept telling me how “great life is.” By the end of my shift I’d been blessed with visits from my 3 favorite customers, below average pain and above average earnings. I’d walked into work awash in fear, anxiety and probably some small amount of (ew) self-pity and walked out all but overcome with gratitude – both for the challenges that help me build core strength as well as the amazing support and generosity of my darling customers such as C.A. (Thurs) and J.J., F.S., F.C. and A.K. (Fri) – thanks guys, you rock and I absolutely adore you.

I don’t pretend to understand why my back pain comes and goes in these seemingly bizarre patterns but I do know that my fears come and go in a very set, obvious pattern. When I approach my work, either dancing or writing, with my core beliefs fully engaged, I progress much quicker and with less pain, frustration and exhaustion. And then, when I remind myself how many times I’ve succeeded in the past, everything I’m striving for suddenly seems quite possible again.

Aug. 1st, 2009

distant

Stroke Me

I’m a 41 year old woman in many ways (er, chronologically for one) but emotionally I probably bounce around from 25 to 75 depending on how little sleep I’ve had and how low my blood sugar is. Physically I’m 35 years old according to Dr. Oz’s online quiz (there was no section for testing The Girls (@)(@) but take my word for it, they're eternally 21). Intellectually I’d say I have the perspective of someone in their 50s which would explain why most men I click with are in that age group too. But when it comes to men, romance, attraction, flirting or (gads) dating, I’d have to admit that, much of the time, I’m just a 16 year old girl – and not in a good way.

I’m kinda like that cute, offbeat, rebellious yet insecure chick in high school, the one everyone liked though she didn’t really know why, and whom some boys asked out, though she definitely didn’t know why and so assumed it was mostly about sex, which it actually was about half the time and yet not the other half which is something she rarely figured out until after the “relationship” or the flirtation had run its course. She’d attract every type of guy from fellow rebels to jocks to geeks, each of them attracted to her for their own reasons, yet never able to get them through her thick skull until it was too late and they’d already wandered off, shaking their heads sadly about the shame of it all, that chick who’s really kinda cool but confusing and confounding as hell. Yep, that was (and kinda still is) me.

I’m the girl who went to prom with a platonic, male friend. I wore a torn t-shirt and spikey-heeled, leather granny boots and slam danced with my pals until we got bored and finally left to get drunk. For the next few years my romantic life consisted of drunken hookups whereupon, if we both stuck around till morning, we may or may not have exchanged numbers. That was young love in the 80s, at least for me – a simpler time to be sure. And I still don’t really “date” in any conventional sense. No, what I do is take a hostage every now and then. It’s a much trickier maneuver and not for everyone because, for one thing, there’s never that long-term commitment or comfortable stability most women crave. But it’s definitely a fun ride – kinda like a rollercoaster, short, dizzying, thrilling, sometimes a little painful and nauseating and usually best attempted no more than once a year or whenever you really need a break in the routine.

These days I like my routine. I fucking love my routine. Every morning I slowly wake up over half a cup of coffee and 2 hours of email and online networking. Five days a week I spend the rest of the morning in yoga and then all afternoon writing. In the evening I curl up with a book or a movie, then watch the news and one episode of Scrubs before turning out the light for approximately 8 hours – 6 of which I sleep, 2 of which I spend changing positions to alleviate back pain.

The other two days a week I focus solely on being a stripper and nothing else, no emails, books, movies, or yoga. Because stripping is a combination of sales, performing and service, in order to excel (especially in this economy) you really have to be “on” for 8 straight hours. It’s all-consuming and incredibly draining, but when it pays well it’s totally worth it. Of course when it doesn’t, it’s nothing short of a nightmare.

And when you’re having one of those really slow days at work, and you’re single like me so you can’t hide out in the dressing room calling your boyfriend for some ego-stroking and supportive compassion, you run the risk of bouncing around emotionally like a 16 year old wallflower, all the while trying to project the image of a confident, wanton sex goddess from your perch on the barstool, carefully masking all evidence of back pain for fear any new customer who enters might pass you over for that 21 year old who will drink shots and let him suck her nipples without lecturing him on boundaries and empowerment before spitting on his forehead and storming off (I’ve never actually done that but I know a dancer who did – god luv ‘er – giving a whole new meaning to the term “swapping spit”).

Anyway that’s where my head was at Thursday (which, by mid-shift, was looking to be my worst workday since returning from vacation a month ago) when this nice-looking young man and ex-marine, who’d turned me down for a dance not an hour before AND watched my whole stage set without tipping, sidles up to me and speaks soft and sweet in my ear.
“You know, you put every single girl here to shame.”

Huh? (Actually, I batted my lashes, smiled and cooed something more like, “Really? Why, what ever do you mean, kind sir?”)

“You are the most fit, most beautiful and most talented dancer here.”
Then he left, having no idea he’d just lifted my spirits all the way from the filthy, buckling carpet (a fucking lawsuit waiting to happen, that) to soar up near the grime-covered vents and water-damaged ceiling tiles. That one simple compliment kept me smiling for the rest of the day. The next day at Palazio I did so well that by mid-shift nothing could’ve brought me down, not even this backhanded compliment from a well-meaning barfly:
“Ya know, even though you’re older, you’re really an amazing dancer.” (Aw, the way you talk!)
Customers never know how good or bad a day I might be having, financially or emotionally, but it shouldn’t really matter since compliments are free and I say we scatter them to the wind, all day every day. Hell, if I had a nickel for every compliment I gave out per shift I wouldn’t need their money at all. Besides, I’ve been single for 18 months so work is almost the only place I get those kinds of strokes.

My lover of the past 6-7 months is as busy and distracted with his own career as I always am with mine so our monthly hookups have dwindled to a few half-hearted voicemails and noncommittal text messages, the kind you send in lieu of saying “goodbye” or just not saying anything at all. That’s just what happens when lust and romance are as high a priority as getting around to seeing that Harry Potter flick (he’s like a kid magician or something, right?). And even if I did care about that stuff, even if I had more than the barest awareness of these four exceptional men on the fringes of my life, what’s a romantically-challenged girl like me to do once she’s too old to slam dance and too sober to get drunk?

Besides, two of them live in L.A. and of the other two who live in Austin one travels most of the time and the other is a devout, church-going Catholic & hardcore right-winger and I’m sorry, but sexy, fun and sweet as hell or not, c’mon… no, just no. Call me crazy, but I'm not about to date a guy whose shame-based religious doctrine and greed-based political views are in direct opposition to the principles on which I base my entire way of life, no matter how good a kisser he is (*heavy sigh*). And of the other 3 men, one guy asked me out (from thousands of miles away, god luv 'im), one guy flirted and the third guy just likes (and gets!) my writing (I have no reason to think he likes “me” but I think I kinda like “him” or at least I might if I wasn't sorta dead inside 'n' all…).

None of this will probably go anywhere because, well, it just seems easier to stay focused on writing, especially since I’m starting a new screenplay next week and I don’t need the distraction. Even if any of this is real which it’s probably not. I mean, I thought I heard something very faint in the distance, a low rumbling combined with high-pitched, delighted squeals… but no, I’m sure I imagined it.

Jul. 26th, 2009

bed bracelet

Topless Woman for Todd V. Wolfson

Some of you already know the brilliant work of Austin photographer extraordinaire Todd V. Wolfson, and if you don’t just check out half my blog’s profile pics, scan almost any issue of the Austin Chronicle (especially during SXSW or the Music Awards) or just go to his Flickr page. Todd is practically an Austin icon and definitely an Austin icon photographer not to mention MY photographer (the poor dear and god bless him as I really am the worst model in the world though you would never know it from his pics). He’s also been a good, kind and generous friend to me, a friend who now, due to a recent accident, is also a friend in need.
Todd V. Wolfson, award-winning Austin photographer noted for his insightful portraits of Austin's musicians and lifestyle, is on a forced hiatus due to a career-threatening bicycle wreck. On July 11th, leisurely cruising neighborhood streets on a pre-dawn ride, Todd hit a patch of defective pavement and was thrown over the bike's handlebars into the street landing squarely on his right elbow and head. His elbow joint was split in half and he sustained two additional compound fractures in that arm. His head injury required 11 stitches, and he suffered numerous internal injuries.



A highly skilled orthopedic surgeon repaired Todd's arm with 16 pins and two metal plates. After several months of healing and physical therapy Todd will be able to use his right arm again to create the artistic portraits that have won him so many fans. But until that time comes, Todd is out of work -- facing staggering medical bills and a long road of painful rehabilitation.



Todd has lived as part of Austin's artistic community for 30 years, generously giving his time and skills to fellow musicians and artists. He has devoted many, many hours to creating posters, promotional pictures, and album covers for numerous charitable causes. He also grants nearly unrestricted access to his copyrighted images at no charge to his artist subjects. Because of his generous spirit, Todd is blessed with the friendship of some of the most talented people in the world. A benefit concert is planned for September 9, 2009 at Antone's nightclub in Austin. Further information will be provided as soon as the details are final.



The whole situation has left me at a loss for words (I know, shocker, right?) possibly because the idea of a hard-working, independent artist with no insurance having a sudden & painful accident which hinders both his artistic pursuits and his very livelihood, well, that just happens to be my biggest fear ever. Even before this happened Todd’s attitude of acceptance and forgiveness has always struck me as a rarity (outside my program of recovery) so his continued positive attitude now is truly inspiring. Anyone who’d like to help ease his burden a bit as well as help get him back behind the camera where he belongs, can donate to his Medical Benefit Fund.

Some of my long-term readers will remember that shortly after my shoot with Todd I posted one topless picture here, which I took down after getting in a relationship. I don’t intend to ever repost it however I’d be happy to email a full-size digital version to anyone confirmed to have donated $50 or more to Todd’s fund (because Austin needs Todd back in good working condition and the grrls (@)(@) are always happy to *put themselves out there* for a good cause).

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Jul. 22nd, 2009

blue bra

On a Lighter Note...

I just changed this blog's Subtitle to read "A Sexy Smart Sober Stripper/Screenwriter Blog" and (as I've been doing for a couple years) will continue to post content falling under any one of those headings. This one can be filed under sobriety because it represents how far I've come from the debilitating eating disorder I had 10-12 years ago. Because eating disorders stem partly from obsessive-compulsive behavior, many addicts succumb to them early in sobriety, as I did.

Beginning 8 months after getting sober from drugs & alcohol (4/18/97) my life slowly became ruled by thoughts of food; compulsive eating, spontaneous fasting, binging, starving, purging, and generally just obsessing, obsessing, obsessing. It's a nightmare, truly, and in a way it can be even harder to overcome than other addictions because you cannot abstain from food. Drugs and alcohol are monsters you can lock away. But food is like a monster you have to let out of the cage and take for a walk 3 times a day, praying all the while it doesn't suddenly turn on you and rip you to shreds.

For me the worst of it lasted about 18 months before I managed to get it under some small amount of control through the same principles I'd been using to stay sober. But I absolutely struggled with it to some degree (though less every year) for another 8 years, during which time I read around 100 books on nutrition, health, and fitness and slowly improved my diet. These days I'm continually asked how I stay in shape at my age and/or what kinds of foods I eat so I thought I'd share it here with some pics.

Besides, last week's post was such a downer I'm keepin' it "lite" today (although +/- 2,000 calories probably isn't considered "lite," I'm +/-123 lbs which I guess means I am). I should also add that I love and savor every single delicious morsel I eat, I'm never hungry, never uncomfortably full yet always completely satisfied.

BREAKFAST = 1 scoop Ultimate Meal green food, 1 banana, 3-4 oz frozen strawberries, 1 cup unsweetened hemp/almond/coconut milk (all organic ingredients).




LUNCH = organic spinich salad, dressing of hemp oil + apple cider vinegar, 4 oz wild salmon, raw flax crackers.




DESSERT = Yum!




SNACK = one of the following (raw, organic nut/seed/fruit bars)...




DINNER = organic Braeburn apple + raw nut butter (almond or walnut).

Jul. 17th, 2009

self hug

No Crying In Strip Clubs

My 2nd stage set is at 2:30, after everyone has eaten lunch and indulged in whatever allotment of dances their thinning wallets dictate. On the secondary stage is C, one of the best dancers we have – a real dancer – with a tight, lean body and impossibly flexible hips who can kick straight up into standing splits the same way you and I blink an eye. He pole work is effortless and even when she’s just leaning against it she knows how to throw one hip out and both shoulders back so it is still dancing. She’s like me that way, knowing that every second, every limb, every joint, every move counts.

I watched her first set on main stage but now it’s my turn and I’m watching my own, moving extra slow today, achingly aware of every step, every turn, every twist, arch, slink, spin, spin, spin... A tiny smile is frozen in place – it is all I can manage as I grit my teeth to keep from screaming out loud, from crying out in a terrifying, high-pitched wail about the deep, sharp pain in my lower back. It has barely left me for 7 days. The smile and the constant awareness of each next step – from pole to pole to floor vent that blows my hair into a pretty fan around my face – help keep the tears at bay. If I think about where my right foot will be 2 seconds from now I won’t have to think about the hot poker digging ruthlessly into my spine and I won’t start crying, I won’t collapse into a weeping, crippled puddle on the stage.

There is nothing less sexy than an aging and injured stripper. Nothing less appealing than a 41 year old with few to no good options and a dwindling bank account. Nothing less attractive than fear of financial insecurity bordering on desperation. If I don’t power through I won’t make my quota. And if I don’t somehow find a healing, I cannot continue this dancing. If I can’t continue dancing, I can’t afford to keep writing. If I’m forced to take a straight job for minimal pay I’ll have to give up the one and only part of my life that means anything to me. If I don’t have time to write, I will shrivel up and die inside.

I am on stage in this kind of agony because I need the exposure – it is a slow day and yet even more dancers have arrived to work, just 30 minutes ago, making it an even ratio of men to women, yet again. There is not one dancer-less customer for me to approach, not one customer even looking at the stage right now. It’s just Dave Edmunds and I up here, his badass British guitar licks and my fucked up degenerated disc. Two aging, underpaid performers doin’ their thing in a Round Rock Texas strip club on a Thursday afternoon.

Sometime later, after my 6 song set and a small but decent influx of customers I’m taking a break in the dressing room, the sharp pain having receded to a dull ache. I’m standing at my locker because sitting makes the pain worse, staring at the top shelf wishing someone would distract me with a text to my cell phone propped up there in the corner. Perhaps a Hollywood producer with financing for my script or Ed McMahon calling from the grave with a million bucks to be paid out in monthly installments of unlimited chiropractic care for life. Instead a petite, adorable dancer I’ve never met, a soft-spoken, young, black girl with a gorgeous smile and a Jessica Rabbit figure passes by my row. I watch her, tired of staring into my locker and trying to remember what it’s like to walk with such ease with a heavy dancer bag slung over one shoulder.

She catches my eye and stops, smiling sweetly. “Oh hey,” she says. “I’ve been meaning to tell you for the longest time, I just love watching you on stage, every time. Just because you’re so… oh, you know… graceful!

I thank her, 2 or 3 times, I don’t know… enough to make her uncomfortable I think, though she keeps smiling then shyly scoots out the door. I sink softly against my neighbor’s locker, trying to avoid any position that will spark the deep, sharp pain in my lower back again. I’m trying not to cry.

Jul. 12th, 2009

kick

Empowerment v. Entitlement

I just returned to yoga after 4 weeks off only to discover my leg strength has diminished enough to make my quads to tremble and shake during Dandayamana - JanuShirasana and Utkatasana like I’m standing on a vibrating mattress. I’m not surprised, having been around the block enough times to know I can’t ever rest on my laurels. I can’t stop making an effort anywhere I want continued prosperity or even just to maintain what I’ve got. If life is a journey more than a destination then empowerment is too, and the best you can hope for is to avoid getting stuck next to that obnoxious, smelly passenger who’s convinced he’s entitled to your arm-rest the whole time.

My first week back at work was great, no trembling legs whatsoever (nor vibrating mattresses which hopefully goes without saying) though one helluva blister on my pinkie toe, which I guess means stripper shoes give you thicker skin (possibly a metaphor to explore in another post). Though none of my best regulars could make it on the short notice I gave them, I never expect them to cater to my schedule anyway. They’re only responsible for visiting as frequently as they feel the need while I’m responsible for creating that need in the first place by simply being damn good at what I do. I do get lucky sometimes, showered with huge sums of money just for the pleasure of my fabulous company and I’m grateful for all of it, for the windfalls as well as every dollar I earn. Gratitude is a form of prayer, integral to manifesting and quite frankly a more pleasant way to live than the alternative.

Take the recent case of my semi-regular customers, Mr. & Mrs. Red, not only an adorable couple whose combination of lust and love for each other could restore faith in the most cynical and jaded woman ever born (not that I know anyone like that), but also two of the most genuinely respectful, easy-going, generous and fun customers you could ever hope to meet. They’re the kind of customers most strippers love, treasure and hope to be able to clone someday. For the love of God, they’re the kind of customers even the most private, introverted, anti-social stripper might spontaneously agree to meet at a tiny intimate venue for a late-night Ian Moore gig long past her usual bedtime (not that I know anyone like that). They are the rarest of the rare – customers you actually like who also happen to frequently freely spend money on you.

They are also, apparently anyway, the kind of customers some strippers take completely and utterly for granted, such as the very inner circle of dancers with whom the Red’s have been so generous for so long, who have now come to expect it, every time, as soon as the Red’s show up, by planting themselves at their table and proceeding to insist on strings of dances just as soon as they’ve guzzled the expensive cocktails they ordered without even asking (Gee ladies, entitled much?).

Exactly 24 hours after hearing that disgusting story last week, at Palazio I bump into a customer I recognized as a long-time regular of an Exposé dancer I’ll call “Minnie.” Since customers sometimes frequent more than one club I thought nothing of his presence at Palazio until, with absolutely no prompting, this customer launches into an explanation of why he’s not at Exposé. “Every single time I walk through the door Minnie instantly attacks me, drags me to a booth and expects me to start buying dances!” About an hour later I’m commiserating with yet another equally offended customer who’s just shared an almost identical story. And had SuperDave been around I’m sure I’d have heard the same story yet again since he tends to buy strings of dances from a variety of girls in a variety of clubs, making him a frequent target of those exact kind of entitled dancers, the same girls, by the way, who are enraged by an attitude of entitlement in their customers (which obviously is completely warranted, just also very ironic).

The thing is, we all deserve to be making more money per dance, this much is true – that a rate increase is looong overdue. Dances in Austin cost the same as 20 years ago while living expenses obviously don’t. So the same $20 that buys me so much less than it used to (and less and less every day) actually buys my customer one HELLUVA LOT MORE because what I’m expected to do for that $20, in fact to remain competitive what I absolutely MUST do for it, is SO much more physical & sexual contact than was even allowed 20 years ago. I started dancing in 1986 so trust me when I say I get this fucked up *math* as well or better than anyone. And while I absolutely feel entitled to a higher income, I do not feel entitled to just take it, at will, from any and every customer who walks through the door. My customers pay a set rate (though my good regulars happily pay more) but management & owners are the men who set it (and I’m guessing they’re pretty content with it considering the owner of one of my clubs just bought himself a Bentley).

For strippers, entitlement works only short term, if at all, and even then is usually at the expense of future business. He’ll either laugh you out of the room or you’ll chase him right out, at which point all that’s left is to work as a Domme, the only job where clients happily pay to be bossed around all day and then come back for more. It is an exceedingly rare regular customer who allows himself to be treated like an ATM and repeatedly taken advantage of, so everybody loses in the end. And call me crazy but I LIKE customers with a healthy dose of self-respect, it’s the only way I can be sure they know how to treat ME with any. And because I happen to have a healthy dose of it myself, it’s impossible for me to treat them with anything less. There is no empowerment in entitlement (although if you’re the owner of a strip club, there is very likely a $250,000 car in it).

Jul. 8th, 2009

blue bra

She's Back

I'm back to work as of tomorrow ~ Thursday, July 9, following my usual schedule:

Thursdays at Perfect 10, 11am - 7pm
Fridays at Palazio, 11am - 7pm

Come see me soon! Come, come, my little fishies! (attempts best Caligula voice) [edit: does best Peter O'Toole as Tiberius imitation]

Jul. 5th, 2009

distant up

Executives & Innocents

Of the dozen film producers & managers I pitched my screenplay to last month, one third turned out to be genuinely interested. One woman, from a production company responsible for a ballsy and authentic cable drama about drug use, promised to contact me in a few weeks (since her entire office was in Australia and she was completely swamped).

Another guy requested my script, which I sent, but has yet to get back to me (if he even plans to).

Another has been more encouraging in that he (and apparently others at his very reputable company) likes my script and want to see more of my work. We’re also on the same “page” regarding the creative process – writing what you know and sticking with your gut without catering to “the market.” He said the very reason he asked to see my work in the first place is because it’s “different” and not to worry about the supposed difficulty of selling dramatic scripts with female leads – he’s got that part covered.

The fourth guy was actually a surprise to hear from and he did, in the end, decide to pass on my script, the story of a small town punk rock chick who succumbs to Meth addiction before finding an unlikely redemption as a stripper. He called it “good writing” but also said:
We want to like her, but we just don’t know enough about her past to excuse her present. I love stories about people who are kind of sucked into something they can't handle or a world they never knew, but she's not so much sucked into it as she does jump into it. I think it might be easier to swallow or she might be more sympathetic if we thought she was this innocent type before she moved there and met these other types of people, but she's not. And I thought her story with her [initial love interest] could be a bit stronger since he kind of disappears for a long time.
Last week I wrote one long-ass blog post mentioning the need for research into various factors leading to drug dependency, so trust me when I say I’m both informed and skilled enough to have covered that very issue in my script. It IS there, revealed in the first 20 minutes, in fact, in about 10 different ways – the attitudes and aspects inherent in the punk scene, in needy romantic relationships and typical dysfunctional families not to mention the traits and behaviors of most rebellious teens and all addictive personalities – everything necessary to explain (I would never use the word “excuse”) the path this character takes. If you’re not an addict, a punk, or a stripper, it is a world you may not *get* immediately, but all you have to do is read carefully and you absolutely will long before you’re done.

It’s not Pretty Woman – it’s the raw, harsh truth about three incredibly intense subcultures. And while it might be “easier to swallow” if my lead were the “innocent type” being led astray by big, bad villains, that’s not who this girl is, that’s not how drug dependency usually starts and it’s definitely not how this screenwriter writes. To anyone baffled by a girl who “jumps” into hardcore drug use instead of getting “sucked” into it, my best response is in the words of my roommate from the mid-80s who, like me, launched straight into intravenous Meth. Trish Trash as I liked to call her (because everyone had a nick-name back then), an equally complex and hardcore addict now turned recovered, empowered, single mom survivor, when asked why she thought we didn’t ease into it slowly, perhaps snorting first instead of shooting up, replied without hesitation, “Because that would’ve been like swimming with your clothes on.” It takes all types… just sayin’.

I wrote a script about punks and Meth addicts – is it any wonder their launching pad had a little extra juice behind it? Still, I do understand the misogynist mindset, that archaic insistence on all women as Doe-Eyed Innocents. It’s not that these men dislike or fear flawed women, they just need them to be flawed in a certain way – which is to say weak as opposed to angry, helpless as opposed to volatile, simple as opposed to complex, and innocent as opposed to damaged. And yet is anyone walking out of Public Enemies feeling put-off in the slightest by John Dillinger’s unapologetic and violent crime spree? Is anyone thinking that, just maybe, this guy was a little over the top? Don’t get me wrong – I love over the top-types but what if he was a woman? Angelina Jolie might get away with it, but what about Halle Berry – would a pissed-off, entitled, half-black woman backed by an arsenal of automatic weapons and a small, self-righteous, female army be nearly as romanticized? Or would that script even get read?

A naïve teenager from a small town and a dysfunctional family, already lonely, insecure and clearly displaying signs of early-stage alcoholism, is suddenly, painfully and repeatedly rejected romantically immediately after being transplanted into an intensely rebellious subculture known for high-risk behavior, few-to-no boundaries and a firm mindset of complete invincibility. Keeping in mind the near total ignorance of this fairly new street drug Crystal Meth, both by peers and the medical community to whom she actually turns at one point for help, call me crazy but I really think you’d be hard-pressed NOT to know exactly where that story inevitably leads (and if you don’t, and you have kids, then god help you, seriously). And since everyone else who read my script DID find this damaged, angry, sensitive character to be not just sympathetic but quite likable, I kind of have to wonder about the one guy so far who didn’t.

Recently, while reading Spike Gillespie’s insightful and important collection of essays, Pissed Off, on Women & Anger I realized how much she and I have in common as 40-something female writers who’ve spent most their adult lives single and working through anger issues, while often being labeled by others as “too sensitive.” Funny enough it’s a trait we’ve both come to appreciate about ourselves while wondering, as she puts it, “Could it be (yes, of course!) that people who level the “too sensitive” accusation are, in fact, too insensitive?” Something else on which Spike and I seem to agree is that by demonizing women’s anger, men absolve themselves of any responsibility for it. So maybe, for some men, the problem is less that a girl can get caught up in a dangerous drug-infused lifestyle, than that she would have enough anger in her to purposely seek out that lifestyle.

My lead character is an especially sensitive teenage girl who directs her anger inward and then responds to painful situations by (gasp!) self-medicating. Ahem… trust me, she’s plenty sympathetic to at least 51% of the population. I’m not saying she’s anyone’s idea of the perfect date (albeit a FUN one) but I gotta believe there are precious few intelligent viewers out there who really think we need more movies like Enchanted and less like Rachel Getting Married, The Professional, or even True Romance. I mean, how much longer do we really have to put up with this tired, misogynist Ivory Tower, Big Studio perspective? It’s like this joke from Spike’s book (in which the terms writer/editor and screenwriter/producer are interchangeable):
A plane crashes in the desert and the only survivors are a screenwriter and a producer. They crawl around for days, nearly perishing, until at last, on the very brink of death, they happen upon an oasis. The writer, overjoyed, plunges her head in the water, laps it up thirstily, and is just starting to feel better when she looks over and sees that the producer has dragged himself to his feet, pulled down his zipper, and is pissing in the water. ”What are you doing?!” she yells. “I’m making it better!” he says.

I’m just saying that if you don’t *get* addiction, and if you don’t *get* the punk scene and you don’t *get* the allure becoming a stripper, consider reading Speed Punk on it’s own merits instead of automatically rewriting it to, Helpless Ingénue Rescued by Dashing Savior in Spider Suit. Most people didn’t *get* multiple-personality disorder until Sybil. Most people didn’t *get* the lure of the porn industry until Boogie Nights, a script with a naïve lead character who starts out as a not-so-innocent hustler by the way. And c’mon… did we learn nothing from the upper class, white honor student turned-crack-whore in Traffic?

I am an open-minded and flexible girl. That said, I’m not letting anyone piss all over my script. Made the right way, my expectation is that this film will resonate with addicts, recovering addicts, punks, strippers, students, parents, most women, some men, and anyone battling unresolved anger and depression. My HOPE is that everyone else will learn from it. Because if we do not start sharing these stories, and if these stories don’t get made due to the shortsightedness of those in positions of power, men in Ivory Towers who just don’t *get* it, then no one else ever will – and the thought of that makes me just a little angry.

Jun. 27th, 2009

Vegas tub

Meth Memoirs and the End of Anonymity

Since I’m not working again for another week or two, I’ve launched back into memoir revisions and it’s going really well. Today I polished up through chapter 9 which is 17 double-spaced pages about the first time I shot up Meth. Fun stuff – the writing I mean, not the Meth … although, well DUH cuz, yeah… that was too, at the time.

I read every addiction memoir I can get my hands on – you could say I’m hooked on 'em, but well, that would just be stupid, so never mind. Anyway, it’s always fun when I’m reading a new one and the author manages to capture my exact feelings, especially regarding those increasingly elusive memories of the High. Like in Down and Out on Murder Mile, when Tony O’Neill, an ex-junkie, writes about preparing to shoot some dope he just scored with a friend.
And this was it—this was beauty—no sickness, no worries, no nothing, except friends and the safety of heroin and the crack we were about to smoke and a whole day to waste—nothing but days and days and weeks to waste—no matter, life could not intrude into this sacred space.
That was my perception too, a sick and twisted reality where I felt safe and my activities were sacred whenever I scored some crack or cooked up my own batch of rock in preparation of spending a day or two (or three) smoking it up in my boyfriend's $1.2 million pad while he was out on tour. Until the shame, guilt and paranoia crept in and the voices whispering from every single tree on our massive lot freaked me out so badly I had to crouch on the floor of the upstairs hallway with a gun I wasn't 100% sure how to use, gripped tightly in my little hand. Yeah... fun stuff alright.

Recently I went to a book signing at Austin’s uber-fabulous, locally owned bookstore BookPeople where father and son, David & Nic Sheff, did a couple very powerful readings from their respective memoirs. A few weeks later, while devouring these heart wrenching yet ultimately uplifting stories, I again found my own experiences and emotions very closely mirrored.

In his raw, wrenching, phenomenally personal account, Tweak, Growing Up on Methamphetamines, Nic Sheff writes,
Growing up I’d heard, you know, never to do heroin. Like, the warnings were everywhere and I was scared – do heroin, get hooked. No one ever mentioned crystal to me. I’d done a little coke, Ecstasy, whatever – I could take it or leave it. But early that morning, when I took those off-white crushed shards up that blue, cut plastic straw – well, my whole world pretty much changed after that. There was a feeling like – my God, this is what I’ve been missing my entire life. It completed me. I felt whole for the first time.
That quote pretty much sums up exactly how I felt the first time I did Meth, which incidentally I'd never heard of until about an hour before I did it, intravenously no less. Like Nic, I was afraid of heroin (the only drug I never used, though I eventually smoked opium a few times). Up to that point in my life I'd had pot, acid, mushrooms and Ecstasy a couple times each, but my "gateway drug" really was alcohol which, along with the cocaine I'd become addicted to 4 years later, also made me feel "whole."

Because Nic’s father David Sheff was a successful writer already, I probably looked forward to studying his style of writing more than reading this particular story, that of a non-addict dealing with the disease from the other side. And in fact his prose was as beautiful and brilliant as I could’ve possibly hoped, yet it was his story that captivated me, so much so that I literally couldn’t put his book down, night after night, almost falling asleep with it still gripped in my hands.

In Beautiful Boy, a Father’s Journey Through His Son’s Addiction David recalls being taught in Alanon (a 12 step program for the loved ones of addicts), You didn’t Cause it, you can’t Control it, and you cannot Cure it. He says he accepts the last two thirds of that statement but also that,
I still don’t fully accept the initial C. Instead, I recognize that I will never know how much I caused or contributed to it...I don’t absolve myself—even now...I am so sorry.
Now, I know parents don’t mean to fuck up their kids when they ignore them, brush them off, and otherwise erode their confidence by withholding love, acceptance or affection. It’s not usually with malicious intent that they emotionally abandon them or lash out at them under duress. But mistakes are made because parents are human and thus flawed, no matter how much their children want to believe they’re perfect – the very delusion that sets kids up for getting so hurt. Thinking that goes, "If Mom and Dad are gods, and they don’t like me or think very highly of me, well then those must be the facts, right? I'm unlovable, even worthless, I guess..." makes perfect sense, to a toddler.

Near the end of his remarkable and important book about the various manifestations of addiction, America Anonymous, Eight Addicts in Search of a Life, Benoit Denizet-Lewis says,
If I believe anything about addiction, it’s that its roots can usually be found in childhood. (In one study of 872 boys, low self-esteem at eleven mostly predicted drug dependency at twenty.) Not every young victim of physical, sexual, or emotional abuse develops an addiction, just as not every addict had a terrible childhood. But if neuroscientists truly want to combat addiction, a good start would be to develop a pill that buffers kids against the struggles and mistakes of their families.
In the 12 years that I've been informally studying addiction (not to mention my 15 years of "hands-on" research), it’s become clear there are 2 major contributing factors. One is a genetic predisposition – it really does run in families genetically, as in through “nature,” completely aside from the effects of “nurture.” The other factor is childhood trauma (here's the "nurture" part) and by that I don’t mean just the kind of shocking physical and/or emotional abuse you hear on the news, because to sensitive children, something as common as divorce or a lack of quality attention can cause a traumatic shift in the delicate, budding sense of stability or self-confidence a young child has managed (hopefully) to establish. Voilà – trauma. And while growing up with one of those 2 issues can contribute to future addiction, the odds increase dramatically when someone is saddled with both the genetic predisposition and childhood trauma.

I used to feel such shame for the pain I inadvertently caused my parents as an addict, but later I realized it was very likely equal to the amount of pain they inadvertently caused me as I was growing up. Depression and stress can make people act in ways that hurt their children in exactly the same way addiction causes children to act in ways that hurt their parents. It’s actually kind of a cool form of karma.

David Sheff says of his son Nic’s behavior,
Often when he was using – his behavior unconscionable, his self-destructive course unfathomable and unstoppable – I felt, How could he do this to me? How could he do this to [our family]? ... [Then, after reading Nic's book] I learned anew that he wasn’t doing it to us. He was doing it to himself. We were innocent bystanders, collateral damage.
In the book’s Afterward, David then delves into how our government is handling what many of us believe to be the biggest (costliest) problem our country faces.
Testifying before the Senate Judiciary Subcommittee on Crime and Drugs in 2008, Leonard J. Paulozzi, M.D., MPH, an epidemiologist with the Centers for Disease Control and Prevention, summed: “The mortality rates from unintentional drug overdose have risen steadily since the early 1970s, and over the past ten years they have reached historic highs.” First-time users are younger, the drugs themselves are stronger, and there are many more types of drugs to abuse. Users can get their drug of choice whenever and wherever they want. Yet in spite of these facts, the federal government boasts that we’re making progress. Statistics are manipulated, misused, and ignored to mask the fact that we’re playing a zero-sum game, because addicts, unless treated, will find drugs.

The government’s handling of the problem would be laughable if the implications weren’t so disastrous. Four thousand Americans have died over the course of five years in Iraq, whereas more than twenty thousand die each year of drug overdoses alone, and that number continues to rise. In many regions of the country, overdoses have or will soon surpass automobile accidents as the leading cause of non-natural death. Consider the related tragedies that can result from drug use – crime, accidents, suicide, drug- and alcohol-caused illnesses, lost productivity – and you’ll begin to fathom the enormity of the problem, much of which is hidden.

It’s hidden because most addiction-related deaths are officially ascribed to other causes: suicide, homicide, auto and other accidents, heart attacks, hypertension, pulmonary disorder, strokes, and other brain hemorrhages, hepatitis and other infections, HIV/AIDS, liver disease, respiratory disease, kidney disease, septicemia, and on and on. Health insurance companies – and Medicare and Medicaid – often refuse to pay (or pay at a lower rate) for treatment of illnesses or injuries caused by drugs or alcohol, so doctors trend to report a diagnosis that will ensure payment. Thirty-two states still enforce statutes – the Uniform Accident and Sickness Policy Provision Laws, enacted in 1947 – that allow insurance companies to refuse to cover medical care in hospital emergency rooms if alcohol or drugs contributed to the patient’s condition. Also, payment of life insurance may be denied if drug or alcohol abuse led to death, so doctors and medical examiners do grieving families the “favor” of citing a death’s immediate cause – an accident or an ailment – rather than the underlying, primary one. And apart from these more practical reasons, addiction remains a secret because of the overwhelming shame associated with it. Last year, when the scion of a prominent Midwestern business family died suddenly, newspaper accounts cited the cause of death stated on the coroner’s death certificate: injuries sustained in a motorcycle accident. The lethal dose of heroin in the young man’s bloodstream was never mentioned.

While we go on denying the ubiquity of addiction, we marginalize and stigmatize its victims. According to a national survey called The Face of Recovery, one quarter of the people in recovery have been denied a job or a promotion or have had trouble getting insurance; seven in ten reported that they had experienced shame or social embarrassment. In our society, addicts are viewed as having a character deficiency rather than a serious illness. We ignore their condition except to criminalize it and the dangerous behavior it can lead to. In addition, the threat of arrest and prosecution make it less likely that addicts will admit their problem and seek early treatment. So the disease progresses, making it more likely that addicts will become criminals, often dangerous ones.

We fail miserably when it comes to education about drug abuse and addiction. The week-long education sessions provided at school pale – in quality and quantity – in comparison to messages that promote use and abuse. We fail at prevention too because we’re inept at diagnosing and treating the psychological and social problems that create fertile ground for addiction. “A presentation on the dangers of drug use will have little impact on the likelihood that a child who is experiencing depression, anxiety, learning disabilities, eating or conduct disorders, low self-esteem, or sexual or physical abuse or neglect, or who has no hope for the future, will self-medicate with drugs and alcohol,” writes Joseph A. Califano Jr., the former U.S. secretary of health, education and welfare, in the book High Society.

Stigma and prejudice have also curtailed financial support for research into addiction. As a result, few effective treatment options have been developed, and thus addiction carries a relatively poor prognosis, which reinforces its stigma. (Many people think addicts can’t get well.) Addicts who manage to find their way to a good program may find it impossible to pay for it; costs for the most highly recommended programs may run at $30,000 to $50,000 a month – or more. Therefore few addicts get the long-term, comprehensive care the need.
According to the National Institute on Drug Abuse, an estimated 23 million Americans are hooked on drugs or alcohol, representing an annual economic loss of $524 billion. Go ahead and read that line again, I’ll wait.

Now, chew on this tasty statistic for a moment: For every dollar spent on treatment for addiction, taxpayers save more than seven in other services, largely through reduced crime and medical fees and increased productivity. A visit to the emergency room, for instance, costs as much as a month in rehab.

And one more: Each year we spend, or rather misspend, more than $50 billion on the war on drugs (total so far is more than $2 trillion). On prisons we spend billions more as a result of drug use. And yet the annual budget of the National Institute on Drug Abuse, which includes almost all drug-related research and development, is less than $1 billion.

In America Anonymous, Benoit Denizet-Lewis asks the question, Why do some recover and others die? He doesn’t know, but believes the “experts” can teach us – meaning the addicts themselves. He writes,
We’ve historically “treated” [addicts] in two ineffective ways: We’ve either locked them in prison, occasionally offering cursory rehabilitation there but more often hoping they’ll be scared straight and return to their drug-infested communities with a newfound resolve to "Just Say No.” Or, we’ve mandated them to short-term treatment programs, barely scratching the surface of their problems before patting them on the back and returning them to their drug-infested communities—but not before reminding them to avoid the “people, places, and things” that might cause them to relapse.

The [Drug Treatment Alternative-to-Prison] program recognizes the absurdity of both approaches. It understands that recovery rarely happens in thirty days and that it is about far more than stopping the addictive behavior. Recovery demands that addicts learn “all the adult things you weren’t doing because you were too busy getting fucked up,” [a drug counselor] once told me. Long-term treatment allows for that kind of process.
On the last page of Benoit's book he echoes one of my long-held opinions, one which has compelled me for years to speak and write openly about my own past addictions. Benoit quotes his friend Jody, a recovering addict and drug counselor, who says,
You can have the best treatment center in the world ... but nothing will really change in this country until people in recovery, and those who care about people in recovery, decide that they’ve seen enough heartbreak, enough needless death. People in recovery need to stand up and demand to be counted. We don’t have nearly enough people out there screaming until something changes, until we start devoting real money and resources to fighting this disease. Where are the millions of addicts in this country who are sober and have turned around their lives? They need to be on the front lines of this war, but they’re at their AA and NA meetings in church basements, talking to each other. And that’s great, and that’s important, and personal recovery depends on it, but man, that’s not enough anymore! I mean, when will we wake up and flip the fucking script?”
Speaking of scripts, I just wrote a helluva good one about Meth addiction. I’ve also written an addiction memoir that I’m more than one third of the way through revising. I’m also almost halfway through writing a collection of short stories on the topic of addiction, one of which has been published already. I just had an essay on addiction accepted for publication and I intend to blog, every now and then, on it too. I know this is a long post but I felt it was important so thanks to anyone who managed to stick with me here. In fact, while I’m at it, thanks to everyone who managed to stick with me *out there* too – not the easiest thing to do when you love an addict.

Jun. 18th, 2009

Okay

9021Observations

Tourist Casey, and her trusty camera-phone, hit the mean streets of Beverly Hills, CA:



1) The Pasadena Whole Foods store kinda kicks the Beverly Hills store’s ass. However they both sell the most amazing raw, organic, vegan desserts by Earth Café Living Foods that my own Austin flagship store has yet to carry (until I get home and convince them to stock it immediately lest I go on a hunger strike which, considering how much I shop there, just might work).

2) Austin could really use more palm trees (like this one outside my hotel room window):



3) Having attended only my 2nd screenwriting conference ever I’m beginning to suspect that some executives have the potential to be as unapologetically arrogant as the snobbiest stripper ever, and I am not quite sure how I feel about that. After all, I know as well as anyone the frustrations of weeding through dozens of delusional, ignorant time-wasters for a living – ya smile and move on, it’s called professionalism and a far cry from leading a panel for hundreds of insecure artist/writer-types (who’ve each scraped together approximately $1,000 for airfare, hotel & registration) and callously crushing their delicate spirits in order to demonstrate just how tedious you find them to be.

4) If it’s true that Los Angeles film industry people are “cooler” than the rest of Americans (yeah, I'll actually concede that point), than Austinites are just plain exempt from the entire conversation. I call this the Harry Dean Stanton Effect. You see, while Jack Nicolson may be the “coolest” guy in L.A., as soon as Harry Dean enters the room the whole competition suddenly loses all meaning, becoming as trivial and embarrassing as a dethroned pageant queen with huge, tacky earrings and a fake-ass spray tan (just sayin’).

5) I miss my Bikram yoga class.



6) There must be some kind of city ordinance in Beverly Hills, akin to Lease Agreements in Austin, regarding pet size/weight because while strolling through residential neighborhoods these past 3 days, I’ve counted 10 dogs being walked, 9 of which were the approximate size/weight of a football (though possibly less aerodynamic – I didn’t ask).

7) I did not even know there was such a thing, but here it is, the prettiest roof I have ever seen:



I am not freaking kidding - it SPARKLES.



Sparkles!

Jun. 15th, 2009

distant

Timing Isn't Everything

After spending more money this weekend on 2 pay-per-view movies than I spend in 5 months on Netflix rentals, I’ve had a couple revelations.
One, that Daniel Craig is the first addition in years to my hypothetical “Guys to be Stranded on a Deserted Island With” list which (since we're both fair-skinned) also means adding “extra sunscreen” to my “Three Items I Absolutely Must Have if Stranded on a Deserted Island” list (the other two items being Benecio Del Toro and the 1990s Armand Assante).

And two, if Joaquin Phoenix and Gwyneth Paltrow, in a dark, complex, character-driven drama, can keep me glued to the screen for 2 hours in the middle of the night when I really should be resting my exhausted brain and body in preparation for pitching MY dark, edgy, character-driven story all the next day, that I might have a fighting chance at getting produced too, even though, being in a recession, the timing couldn’t be worse for financing anything, much less this particular hard-to-sell genre.
In a way you could say my timing has been terrible all my life. When I was in high school I discovered the San Diego punk scene just in time to make it in to a couple cool parties and make-out with a few hot punks (Hi, Marc Zizzo, Casey Barber and Thayne) before being shipped off to Amarillo which, for the record, is the absolute worst nightmare imaginable for a lonely, horny, sixteen year old punk rock chick.

I started my stripping career in 1986 in a seriously slumped Texas economy. Five years later I moved to L.A. to live with my boyfriend (at that time), one of the most talented and famous guitar players in rock ‘n’ roll history, just as his career was nose-diving into near-oblivion. About 6 years later, just as our doomed engagement made the exact same downward spiral, he went and got his clean & sober shit back together along with the “old band,” a feat which propelled him, almost instantly, right back into rock stardom and multimillionaire status – incidentally just as I was hitting my pitiful, incomprehensible, near-suicidal, raging alcoholic “bottom.”

A couple years later after getting my own clean & sober shit back together, I had a pretty fabulous 18 months career-wise, raking in the dough via one of Vegas’s hottest gentlemen’s clubs. Unfortunately my burnout quickly got so bad I had to actually retire, just before the entire industry went through a massive boom, peaking a few years ago right as I finally returned to the business (on top of my game like never before, no less).

As for my Real Estate career, I busted my ass those first 2 years to work my way into the high-end “Silicon Hills” market just as the tech bubble burst and all my clients suddenly decided not to sell after all. I spent much of the rest of that 9 year career slaving away 6-7 days a week in a much lower price range. I’m 41 years old and (truly remarkable body notwithstanding) just don’t see myself stripping past another 3-5 years - a block of time, I should add, promising to be the toughest, most lean phase this industry has ever seen.

So I guess you could say my timing has been a bit “off” in this lifetime. You could also say that, thanks to that very trend, I’ve developed enough determination over the years to become exceedingly adept at beating the fucking odds.

The odds that an addict of my severity will ever get clean & sober are slim. The odds that she’ll stay sober for even a couple years are something like 2 or 3 in 100 and I actually have no idea what the odds are she’ll stay sober more than 12 years (but the odds that she’ll STILL have the body of a 21 year old by then have got to be mind-bogglingly low). So you can see why I’m not too concerned with the odds on getting dark, edgy dramatic screenplays produced.

Someone made THE WRESTLER and someone else made BOOGIE NIGHTS and someone else made LEAVING LAS VEGAS for fuck’s sake (a few of my all-time faves). So all I have to do is find the right manager and producer (and financer and distributor and whomever else it takes to make a great movie in this dark, complex, character-driven drama of an industry) even if, as everyone keeps pointing out, the odds are incredibly slim.

After attending some fun, informative Pitch Fest classes and panels in the Burbank Marriott convention center, I proceeded to pitch my little heart out to over a dozen producers and managers. Of the 6 that seemed to really like the story, half asked me outright to email them the script and there’s a 4th guy who said he’d be contacting me. I’m told that’s a high level of interest, especially for a dark drama with a female lead, so it seems the odds are in my favor thus far. I mean (as my Ex used to say) I could be wrong … but I’m not.

Jun. 10th, 2009

red head

She Splits

About 18 hours from now I’ll be at the Austin airport removing my sandals for security, also, incidentally, the last act of anything resembling stripping I'll be doing for the rest of this month. Friday morning I head to Los Angeles for the Pitch Fest screenwriter’s conference followed by a couple weeks of rest and relaxation. It’s the only break I’ve had resembling a vacation in the past 9 years, other than the 2 weeks I spent at my folks’ over Christmas, 2007. Amarillo is relaxing but has no beach and even if it did no one would go in December because it would very likely be frozen solid.

I’m also looking forward to my last day (half-day actually) at Perfect 10 tomorrow because I know I’m going to miss dancing, just a little, while I’m away (also because it can’t hurt to have extra shoe shopping money since my hotel IS in the same neighborhood as Jimmy Choo – just sayin’). Still, my aching back could use a little time off (got X-rays, no worries) not to mention my overall perspective. I have posted a lot of complaints about customers lately (c’mon, it’s like shooting fish in a beer mug sometimes) and wouldn’t mind interacting in the real world for a change (not sure if meeting bunch of Hollywood producers, managers and agents actually applies here, but we’ll see). Anyway, spending too much time in a strip club can result in taking all its little blessings for granted.

Just ask SuperDave, a favorite customer who probably spends as much time in strip clubs as I do, drinking beer and spreading the wealth (as well as the occasional, amazing back rub) among countless girls at clubs all over town, until his cell phone invariably rings, summoning him back to the office. Recently he came into Perfect 10, spied me on stage and headed straight over to where, in short order, I’m doing my standard mini-dance for him at the edge of the stage.

I start my mini-dance by standing in front of the customer so that we’re approximately crotch-to-eye (my crotch, his eyes but you probably got that, sorry). I proceed to gyrate or otherwise bounce my pelvis lightly (in a cute & sexy little way I just don't think I can describe here) before slowly dropping to my knees until we’re breast-to-eye. At this point I press his face into them (my breasts, not my eyes) before slipping onto my back where I do some cute & sexy leg moves which eventually lead to the center splits.

This happens to be the exact moment SuperDave’s phone rings, which would be no big deal except that he actually retrieves it from his pocket TO CHECK IT. At which point I snap my head up in utter shock and yell at him from between my still-split legs, “Tell me you are NOT checking your phone less than eighteen inches from my vagina!!” at which point he sheepishly returns the phone to his back pocket as I clamp my knees shut and roll onto my side, laughing my ass off.

I don’t know if Dave needs a break from strip clubs (though he won’t be answering his phone at the stage anytime soon). As for me, I didn’t kick him in the head so I’m probably fine too. I do, however, have a damn good screenplay to pitch and a writing career to get off the ground not to mention a deteriorating disc between L3 and L4 (have yoga, no worries). So, I’m off to L.A. to do a bunch of mini-pitches (fully clothed, sitting upright) for a bunch of strangers whom I’m assuming will not be checking their cells phones until I’m done. I will let you know how it goes.

Jun. 7th, 2009

blue window

Full of It

A new customer told me last week he got the sense that my life was kind of empty (and no, before you ask, I am not typing this from a jail cell awaiting trial on assault charges). I’m a recovering addict and alcoholic. I’m a struggling writer. I’m an (almost) middle-aged woman attempting a life of empowerment while working in the adult industry. I like to think I’m at least somewhat aware of how easy it can be to lose perspective at times. I decided to give his comment some thought.

Besides, he’s a smart and savvy man who’s read a fair amount of my blog and while you can’t completely know a person from a thin, little sliver like that, you could still probably pick up subtle clues as to the level of joy or meaning in her life. I think I have a lot of meaning in my life (puhleez, I can find meaning in everything from Triangle Pose to tea leaves to toe length) but about joy, well, maybe not so much. I don’t kid myself about that though neither do I spill any tears over it. For a girl like me, each day spent without a hangover or liver disease is something to be grateful for, not to mention yet another opportunity to strive for greatness and one more chance to nail down that elusive bitch Joy.

I suppose many people find joy in raising a family and providing for their kids or being in love and sharing their lives with a soul mate. I really don’t miss being in love which actually seems strange considering I developed every other dependency known to man but whatever (thank god for small favors and fabulous lovers, ‘nuf said). Neither do I have any of what I’d call “close” friends though I do have “good” friends, people with whom I share few common interests and even less about my private life yet who genuinely care about me as much as I do them. It's a nice feeling, just not fulfilling per se.

My work is fulfilling to some degree, certainly as a dancer more so than as a Realtor, a job in which creative expression consists primarily of marketing slogans and financing options (some of the latter often being legally questionable while some of the former really should be). Dancing itself has always been creatively satisfying, limited though that fulfillment may be in the “exotic” arena (though a weekly funk fest at Antone’s was always pretty damn good for the soul). But for the most rewarding life I really need both the freedom to be creative and the opportunity to be of service (as symbolized by my two wrist tattoos).

The emotional labor I expend at the club is some of the only chance I have to be of service these days, since I’m not currently sponsoring any women in my 12 step program. Ever since returning to stripping in 2006 I've found more satisfaction in the little intimacies playing out with my customers (compared to the previous hard hustle of Vegas), especially the stressed, lonely men who seem to really benefit from such personalized attention. In fact that dynamic is probably what I've blogged about the most this past year but if it reads lately like I'm feeling empty at work, maybe I am a little.

Recently a male friend who frequents strip clubs suggested that some of the customers who've been confusing me for their unwillingness to work on their marriages or just get divorced and enjoy bachelorhood again, very likely have NO interest in making the required effort to improve their stagnant situations. That even if they're not "happy" they are content enough, especially since they can get the occasional reprieve from strippers like me. Which is logical I guess, but having little respect for that kind of laziness or mediocrity, the revelation took a little wind out of my sails and maybe a little satisfaction out of my work.

Anyway my life revolves more and more lately around my writing, which validates me daily (side note: my essay Tomb and Temple was just accepted for publication). But still, is creative expression, even if it someday provides financial security, enough to make life full? Or will it simply elevate me to a place with a clearer view of how empty it really is?

One of the last movies I saw with my last boyfriend was Into the Wild in which Christopher McCandless abandons modern society for the wilderness believing “You don’t need human relationships to be happy” and [*spoiler alert*] survives just long enough to scribble out his final epiphany that “Happiness only real when shared.” Whether or not this is true (and I tend to think it is) how much does it apply to someone whose every spare moment is spent trying to build a life she can live proudly and happily before finding someone to share it with?

The ultimate irony of our relationship was that my boyfriend Lalo’s love turned out to be the magical remedy for healing that ancient, crippling grief my addictions had left me with, that dark phantom pain no amount of therapy or 12 step work had managed to reach. Once healed, I was finally able to realize my passion, embrace my dreams and dedicate myself to becoming a writer. What irony that my transformation eventually forced Lalo right out of my life and even more so that it happened immediately after seeing this movie about how Happiness only real when shared. The difference, I suspect, is that while most people think the actual sharing is what makes for happiness, those relationships seem pretty empty to me, lacking the satisfaction of any significant individual achievement. It is in fact [*spoiler alert*] probably where most unwanted babies come from (as well as "pageant parents," invitro multiples and Octomoms, but I digress).

One of the most important lessons I learned getting sober was that I didn’t have to reinvent the wheel – that I could learn a new way of life by staying teachable and open to the experience, strength and hope of others in recovery who’d trudged this path before me, that listening was more important than talking (hey, no one ever said anything about typing, okay so just leave my blog out of it) and that if enough people try to tell you "You’re growing a tail" you should really consider turning around and taking a good, close look at your ass (thanks Tj).

So when this customer and blog reader tells me he’s read 8 months worth of thoughts and ramblings I apparently considered important enough to devour all my Saturday afternoons since last Halloween, typing and editing incessantly before ultimately posting for the entire Universe to read from now until the end of time, and that it left him with the sense that something’s missing in my life, well let’s hope I’m smart enough to spend at least a couple days mulling it over.

Which I have. And I’ve come to the conclusion that while my life and job aren't technically “empty,” neither are they anywhere near “full.” The job *is what it is,* I'm lucky to have it and truly blessed by every opportunity to be of service therein. And as for my life, well, who says you get to have a “full” life and be “happy” without working your ass off for it, especially if you already wasted half of said life chasing shortcuts via crack pipes and shot glasses.

Assuming a full life equals a happy life (and I tend to think it does) happiness is also rather subjective. Depending on where you come from there’s a lot of value to be had in just trudging your path one day at a time. If life really is a journey (and I tend to think it is) I may just need to cover more territory before I’ll experience any happiness through sharing it (with someone other than my blog readers anyway). Remains to be seen I guess but when that time comes I’ll be sure to scribble MY epiphany here (edited incessantly) before expiring. You can judge for yourselves whether or not I’m “full” of it then.

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